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That almost goes without saying at this point, in the year 2020. Stories about queer people coming out to their parents shouldn’t be the only queer stories we get. Good: It might be cliché, but Happiest Season’s depiction of the “I gotta come out to my parents” story rings true They’re just so cute together! Hulu Let’s take a look at some good, bad, and weird elements to figure out why. The politics of queer storytelling aside, there’s plenty to recommend with Happiest Season, but just as much that’s downright strange. Does that pursuit result in stories that neither function as stories nor as depictions of queer life as it’s lived? But Happiest Season made me wonder, more than I usually do with stories attempting to queer the mainstream, whether just subverting heteronormative storytelling tropes is enough. Formulaic stories that otherwise queer beloved storytelling tropes are still subversive in a world where very few stories allow LGBTQ people to take center stage.
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A story of seasons rom movie#
Should this movie instead have been about, say, Harper and Abby negotiating a Christmas celebration within a polycule? It didn’t have to be, to be sure. Yet I spent much of the movie wondering whether just having a trope-laden Christmas rom-com about a lesbian couple was enough, when said lesbian couple played into all of the tropes of one of our least queer storytelling genres (not that there’s anything wrong with that!). Stewart and Davis make for an amazing onscreen couple, believably in love when fighting and when kissing, and I’m a sucker for any and all movies where adult children come back home for Christmas. But I enjoyed Happiest Season, tropes and all. Look, “My parents don’t know I’m gay” is a pretty big cliché in stories about queer people trying to peaceably interact with their families. Vox-mark vox-mark vox-mark vox-mark vox-mark